He changed his name once more following his master's death, to Toyokuni III. Viewing prints 1 to 100. They watch a woman and her child dive for abalone shells. In the ukiyo-e literature and in catalogues he is mostly referred to as Kunisada Utagawa or Toyokuni III. The album includes 27 multiple-sheet sets and 7 single-sheet prints, mostly … Kunisada’s work embodies the characteristics of the Utagawa school, focusing on traditional subjects such as kabuki, bijin (beautiful women), shunga (erotic prints), and historical prints. He took the name Kunisada II c. 1850–51, about the time he inherited the house of Kunisada I. Utagawa Kunisada II (1823–1880) Hell Courtesan (Jigoku Dayu)Ink and colour on silk, signed Ichijusai Kunisada hitsu and sealed Framed and glazed 164.5 x 101 … Ito Jakuchu 1716 - 1800. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". His signature may be distinguished from that of Kunisada I in that the sada kanji is straight in the signature of Kunisada I, but angular in the signature of Kunisada II (see figure). Neither his original name nore the place of his birth are known. Kunisada II was a disciple of the highly influential Utagawa School, and as such, took the name of his teacher, Utagawa Kunisada I (1786–1865). Kunisada II was a disciple of the highly influential Utagawa School, and as such, took the name of his teacher, Kunisada I. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". Kunisada started his career as a pupil of Toyokuni Utagawa I whose name he adopted in 1844 as Toyokuni III. A Shinto shrine can be glimpsed deep within a cave. But if was difficult for him as the new head of the Utagawa studio. 1850-60 in Osaka) and Utagawa KUNIHISA (1832-1891). Kunisada II, a pupil of Utagawa Kunisada, placed his signature on the lantern in the foreground. Kunisada II was a loyal and talented pupil of the Utagawa school. [1] One of his most celebrated actor series, “The Tale of the Eight Dog Heroes” (Hakkendun inu no sōshi no uchi), dating from 1852, is drawn from Kyokutei Bakin’s epic novel, “The Satomi Clan and the Eight Dogs” (Nansō Satomi hakkenden), written from 1814-1842 and published in 106 volumes. The album contains 34 striking images of kabuki actors by six late 19th century woodblock print designers: Utagawa KUNISADA I (1786-1864), Utagawa KUNISADA II (1823-1880), Toyohara KUNICHIKA (1835-1900), Utagawa KUNIAKI II (1835-1888), Utagawa YOSHICHIKA (fl. View all 9 obras de arte Artistas relacionados. He worked i the style of his mentor Kunisada but never reached his level of success. Japanese Woodblock prints by Utagawa Kunisada II. He did not sign prints “Kunisada II”. Elija entre ellos 21 Obras de arte Por el famoso artista. Select from premium Utagawa Kunisada Ii of the highest quality. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". Utagawa Kunisada II (1823 - 1880) was a Japanese Ukiyo-e artist. Utagawa Kunisada (Japanese: 歌川 国貞; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (三代 歌川 豊国 Sandai Utagawa Toyokuni), was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. Kunisada II was a disciple of the highly influential Utagawa School, and as such, took the name of his teacher, Kunisada I. Around the time he changed his 'gô' from Kunisama to names such as Kunisada II, Ichijusai, Baichôrô, then Toyokuni in the early 1870s. However, since there were three artists called Toyokuni before him, Kunisada II is now often known as Toyokuni IV. He often found his motifs in … He changed his names several times - a fact that is a bit confusing for ukiyo-e collectors. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". Further, Kunisada I took the name 'Toyokuni' in 1844, and never included the 'Kunisada' signature within the Toshidama cartouche, as Kunisada II often does in the 1850s and 1860s. Ike no Taiga 1723 - 1776. You can help Wikipedia by expanding it. This Japanese artist–related article is a stub. This memorial portrait was designed by his principal student, Kunisada II, and is one of the few known images of Kunisada. Wikipedia article References Utagawa Kunisada II (歌川国定, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". ), también conocido como Utagawa Toyokuni III (三代歌川豊国,?) This article about an engraver, etcher or printmaker is a stub. Before his marriage to Kunisada's daughter in 1846, his prints were usually signed Baidō Kunimasa; from then on he used the artist's name Kunisada II, until the death of his father-in-law in 1870, when he began to use the name Toyokuni IV. Product categories. KUNISADA II (Toyokuni IV) was a pupil of KUNISADA I, and married his master's daughter in 1852. His first printed works began to appear in early 1807 and he was awarded the last character of his master´s name to form So he choosed the name Kunisada. Japanese Woodblock prints by Utagawa Kunisada II. (en) Utagawa Kunisada II (歌川国定)(1823–1880) est des trois peintres japonais du style ukiyo-e à porter le nom « Utagawa Kunisada ». From Wikipedia, the free encyclopedia Woodblock print portrait of Utagawa Kunisada, at the age of 80 years, dated January 1865. He was specialized in actor prints but also produced prints in other genres and subjects such as female portraits, shunga and prints featuring the … [1], Kunisada II worked in the style of his master, but never achieved the same level of success. Utagawa Kunisada II was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". From the series Gishi Eimei-den no Uchi Utagawa Kunisada II ? Museo de reproducciones artísticas clásicas de Utagawa Kunisada II. He later adopted the name of Toyokuni, the school’s founder, and thus became Toyokuni IV. [1], Little is known of Kunisada II's early life. Little is known of Kunisada II's early life. A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III". THE AMOROUS TALE OF EIGHT DOGS: THE RONIN SAMOJIRO (Utagawa Kunisada II) $ 170.00 Add to cart; THE AMOROUS TALE OF EIGHT DOGS: THE DOG WARRIOR INUTA KOBUNGO (Utagawa Kunisada II) $ 170.00 Add to cart; Showing all 2 results. He headed the Utagawa school. The Tale of Genji - Gust of Wind (1847-52) The Tale of Genji - Gust of Wind by Utagawa Kunisada, … He continued producing ukiyo-e in the style of his master and father-in-law Kunisada I. [1], Kunisada II's popularity waned in the Meiji period (1868–1912), and he appears to have stopped making prints after 1874. Utagawa Kunisada (歌川 国貞,? He often found his motifs in pleasure quarters and tea-houses. Kunisada II usually signed prints either 国貞画 (Kunisada ga, drawn by Kunisada) or 国貞筆 (Kunisada hitsu, from the brush of Kunisada). His first known print dates to 1807, his first illustrated book to 1808. He took the name Kunisada after marrying his master's eldest daughter in 1846. https://en.wikipedia.org/w/index.php?title=Utagawa_Kunisada_II&oldid=1007742554, Articles containing Japanese-language text, Wikipedia articles with CINII identifiers, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 February 2021, at 18:17. He headed the Utagawa school. He illustrated nearly 200 books. Yosa Buson 1716 - 1784. Kunisada I adopted him in 1846 after he married the master's daughter Osuzu. Unryu Utagawa Kunisada II ? Utagawa Kunisada II (歌川国定)(1823-1880) was a Japanese ukiyo-e printmaker, one of three to take the name "Utagawa Kunisada." Kunisada I had been regarded by his contemporaries a… NDL-DC 1302779-Utagawa Kunisada-梓元の好まかせ北窓翁か古図の雨やとりニなろふて-cmb.jpg 9,077 × 4,563; 5.07 MB NDL-DC 1302780 01-Utagawa Kunisada-踊形容楽屋の図-安政6-crd.jpg 3,102 × 4,585; 2.59 MB A pupil of Utagawa Kunisada I, he signed much of his early work "Baidō Kunimasa III." His Buddhist posthumous name is Sankōin Hōkokujutei Shinji. He headed the Utagawa school. Ushiwaka-maru training with the tengu Utagawa Kunisada II ? Enji Torei 1721 - 1792. He began his career as a pupil in the studio of Utagawa Kunisada I. The print Enoshima Station contains a view within a view: at Enoshima, an islet in the Bay of Sagami, Kunisada II observes a daimyô (feudal lord) with his retinue. 2,366 prints found. Kunisada Utagawa II was born in 1823. He later adopted the name of Toyokuni, the school’s founder, and thus became Toyokuni III (or Toyokuni IV in another reckoning). (1786-1864) fue un pintor japonés de la escuela Utagawa, discípulo de Utagawa Toyokuni.Su nombre de nacimiento era Sumida Shōgorō IX (角田庄五朗,? The landscape background was made by Hiroshige II. Showing all 2 results. Kunisada Utagawa (1786 – 1865) was a prolific, successful and at his time highly appreciated leading designer of ukiyo-e Japanese woodblock prints. Utagawa Kunisada Utagawa Toyokuni III 1786 - January 12, 1865 Beneath a temple glimpsed through rolling clouds, a young women desperately recites a sutra whilst next to her a startled man is being devoured by a vast army of crabs. Born near Edo as the son of an affluent merchant with a ferry boat license, at the age of 15 Kunisada joined the famous art school of Utagawa Toyokuni and took the artist name Kunisada. Moreover, most prints signed 'Kunisada' and by Kunisada II are datable by censor or date seals to post-1850. His prints include over 40 series, mostly of actors (yakusha-e), as well portraits of beauties, illustrations of scenes from literature, erotica, and other subjects. Series: “Scenes of Famous Places Along the Tôkaidô Road” also known as the “Processional Tôkaidô”. He headed the Utagawa school. After he had married his master's eldest daughter, he was adopted by his father-in-law and became the head of the Utagawa printmaking school. He headed the Utagawa school. Utagawa Kunisada II. Students of his include Kunisada III (1848–1920).[1]. He died on 20 July 1880 and was buried at Banshōin Kōunji. school of Utagawa Toyokuni I (1769-1825), the leading actor-print designer of his time, around 1800 as apprentice in the age of fourteen. Utagawa Kunisada (1786 – 1865) (japonès: 歌川国貞, també conegut com a Utagawa Toyokuni III 三代歌川豊国) va ser el dissenyador de xilografies ukiyo-e més popular, prolífic i … In this Japanese name, the family name is Utagawa. You can help Wikipedia by expanding it. Utagawa Kunisada (Toyokuni III) Back to Kunisada home: to Kunisada´s series list introduction: other prints and series: ... and Kunisada II, who made a part of the prints with Hiroshige II: 1858 1860 101: 101: L38,p284 4 The mirror of today´s picture Ima-yo oshie kagami Viewing prints 700 to 800. After Japanese printmaking was introduced in Europe in the late 1860s, his works caught the attention of a Western public. His earliest known prints date to 1844. 2,366 prints found. He later adopted the name of Toyokuni, the school’s founder, and thus became Toyokuni III (or Toyokuni IV in another reckoning). Find the perfect Utagawa Kunisada Ii stock photos and editorial news pictures from Getty Images. Images of Kunisada II was a pupil in the late 1860s, his first illustrated book to 1808 Kunimasa... Toyokuni, the school ’ s founder, and thus became Toyokuni IV loyal and talented of. Difficult for him as the new head of the Utagawa studio II c.,... 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