Billy and Frances were over for the bank holiday: “I think they only come to us because we give them more chocolate than their dad.” It triggers a memory from Dee’s own childhood, about chocolate being disapproved of. All in all, NATIONAL TREASURE provides loads of family-friendly fun. Even in innocuous moments, it feels like something is off-kilter even if you can’t say why. Hey, this ain’t Hercule Poirot. National Treasure is an enjoyable enough ride if you don’t mind being strung along indefinitely by a series of clues that may or may not go anywhere. Directed by: Mark Munden TWITTER The actors had fun, I guess. And all the while studying the impact on this family, Thorne is able to reset what it looks like from the outside, where celebrity buys the benefit of the doubt even after the fact, and women's motivations (and memories) are scrutinized when reporting sexual offenses. Fair. You might, too, if you like goofiness like this. Julie Walters is brilliant, too, as Marie Finchley, with only the tangible tension in the muscles of her face and the occasional wobble in her voice betraying the profound pain she is experiencing. A compelling, quick watch that's worth it. Review. They approach the sound of laughter. And they’re getting more and more expensive. © 2021 The Hollywood Reporter, LLC. They approach the sound of laughter. Producer Jerry Bruckheimer (“Pirates of the Caribbean,” “The Rock,” and “Armageddon”) and director Jon Turteltaub (“Phenomenon,” “While You Were Sleeping”) team up to bring you “National Treasure.” Senses were focused on, the anxiety, the suspense, the craziness can all be felt in this show. By Stephen Palley on October 26, 2004 at 10:35AM PDT The stand-out scene in this first episode is Paul’s visit to see her. The action in this fast-paced adventure sequel is loud and sometimes tense (car chases, near falls from high ledges in a dark cave, etc. The woman is more hospitable than authoritarian; she’s dressed for a night out. Taxi drivers still remember him, and demand a catchphrase. 'National Treasure' Review: A Devastating Miniseries about Fame and Corruption 'National Treasure' Review: A Devastating Miniseries about Fame and … “They think I’m Jimmy fucking Savile,” complains Finchley. Not an easy or a comfortable watch then, but an important one. It's there in Paul's marriage to Marie, who allowed him to be unfaithful under the debatable assumption that it didn't mean anything so long as he loved her most and told her when he went astray. It isn’t that big of a problem since all spy thrillers and other related movies require this too, but duping the F.B.I., the secret service and palace guards is one hell of a feat. A much-loved TV star faces an accusation of historical sexual offenses in this drama series. What works best on National Treasure is how Thorne explores the interrelated stories of forgiveness, reluctance to cause a stir, repressed memories and celebrity obsession. No, it's not a NATIONAL TREASURE, but it has good … Jack Thorne, one of England's better writers of fiction (The Last Panthers, This Is England, the stage play of Harry Potter and the Cursed Child), has penned a taut new series that has its roots in a tawdry nonfiction incident that, as it crosses the pond from Channel 4 to Hulu, will conjure different images in American minds than it did in British ones. Julie Walters plays his wife Marie, and Andrea Riseborough plays his daughter Dee. Nicolas Cage stars as Ben Gates, a historian enthusiast in search for a mythical treasure dating back to the Crusades which has alleged switch locations overtime leaving several extensive clues to follow. 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